Phoebe Bridgers doesn’t write love songs as much as songs about the impact love can have on our lives, personalities, and priorities. Punisher, her fourth release and second solo album, is concerned with that subject. To say she writes about heartbreak is to undersell her blue wisdom, to say she writes about pain erases all the strange joy her music emanates. The arrival of Punisher cements Phoebe Bridgers as one of the most clever, tender and prolific songwriters of our era.

Bridgers is the rare artist with enough humor to deconstruct her own meteoric rise. Repeatedly praised by publications like The New Yorker, The New York Times, GQ, Pitchfork, The Fader, The Los Angeles Times and countless others, Bridgers herself is more interested in discussing topics on Twitter, deadpanning meditations on the humiliating process of being a person, she presents a sweetly funny flipside to the strikingly sad songs she writes. Fittingly, Punisher is fascinated with, and driven by, that kind of impossible tension. Whether it’s writing tweets or songs, Bridgers’s singular talent lies in bringing fierce curiosity to slimy and painful things, interrogating them until they yield up answers that are beautiful and absurd, or faithfully reporting the reality that, sometimes, they are neither.

Bridgers pulls together a formidable crew of guests, including the Julien Baker, Lucy Dacus, Christian Lee Hutson and Conor Oberst as well as Nathaniel Walcott (of Bright Eyes), Nick Zinner (of the Yeah Yeah Yeahs), Jenny Lee Lindberg (of Warpaint), Blake Mills and Jim Keltner as well as her longtime bandmates Marshall Vore (drums), Harrison Whitford (guitar), Emily Retsas (bass) and Nick White (keys). The album was mixed by Mike Mogis, who also mixed Stranger In The Alps.

On the album’s epic, freewheeling closer, “I Know The End,” Bridgers orchestrates wails and horns, drums and electric guitar into a sumptuous doomsday swirl, culminating in her own final whispered roar. This is Punisher in a nutshell: devastating elegance punctuated by a moment of deeply campy self-awareness. 

‘Rough and Rowdy Ways’ is Bob Dylan’s first album of original material in 8 years and his first since becoming the only songwriter to receive the Nobel Prize for Literature, in 2016. Its 10 tracks include the three new songs released this spring: the album’s lead-off track, “I Contain Multitudes,” the nearly 17-minute epic “Murder Most Foul” and “False Prophet.”

Single LP on black vinyl in single jacket w/ euro sleeve & matte coating. Includes coupon for full download

An explosive album of pain, rage and fear with some of the most direct and confrontational lyrics of his four-decade career. According to Bob, “This is the catchiest batch of protest songs I’ve ever written in one sitting.”

After years spent looking out at landscapes and loved ones and an increasingly unstable world, Rolling Blackouts Coastal Fever have turned their gaze inward, to their individual pasts and the places that inform them, on their second full-length, Sideways to New Italy. Led by singer-songwriter-guitarists Tom Russo, Joe White and Fran Keaney, the guitar-pop five-piece returned home to Australia after the relentless touring schedule that came following their critically regarded 2018 debut Hope Downs. Feeling the literal and metaphorical ground under their feet had shifted, the band began grasping for something reliable. For Keaney, that translated into writing "pure romantic fiction" and consciously avoiding the temptation of angsty break-up songs, while Russo looked north to a "bizarre place" that captured the feeling of manufacturing a sense of home when his own had disappeared. The New Italy of the new album’s title is a village near New South Wales’ Northern Rivers – the area drummer Marcel Tussie is from. A blink-and-you'll-miss-it pit-stop of a place with fewer than 200 residents, it was founded by Venetian immigrants in the late-1800s and now serves as something of a living monument to Italians' contribution to Australia, with replica Roman statues dotted like alien souvenirs on the otherwise rural landscape. The parallels to the way the band attempted to maintain connections and create familiarity during their disorienting time on the road was apparent to Russo. "These are the expressions of people trying to find a home somewhere alien: trying to create a utopia in a turbulent and imperfect world." The record's geographic identity emerged from the band losing their grip on their own, whether that was through the pressure of touring, the dissolution of relationships, a frustrating distance from their daily lives – or some combination of all three – that came from being slingshotted all over the world, playing sold-out headline tours and festivals including Coachella, Governors Ball, Primavera Sound, All Points East, and Pitchfork Music Festival. The notion of crafting, in Russo’s words, “a utopia of where your heart’s from,” permeates Sideways to New Italy, in which early attempts at writing big, high-concept songs about The State of the World were abandoned in favor of love songs, and familiar voices and characters filter in and out, grounding the band's stories in their personal histories. There’s something comforting, too, in knowing the next time they’re buffeted from stage to stage around the world, they’ll be taking the voices of their loved ones with them, building a new totem of home no matter where they end up.

2020 release. His last album - 2017's The Nashville Sound - a #1 album on the Billboard Folk, Independent, Country and Rock albums charts, also received Best Americana Album at the Grammys, Album Of The Year At The Americana Honors & Awards and was nominated at the CMA Awards for Album Of The Year. Since then, he has collaborated on the soundtrack for A Star Is Born, the debut album by the Highwomen, and Sheryl Crow's latest album Threads. He also released a live album, Live From the Ryman.

Demos of PJ Harvey’s seminal 1992 debut album. LP pressed on 180-gram vinyl. Full color outer sleeve, with printed inner sleeves. Includes three previously unreleased photos.

Also Available

Dry LP		Peaky Blinders Original Music From The TV Series 2CD / 3LP

52 page hardbound foil stamped coffee table book with 2 LPs, handwritten lyrics and over 20 previously unseen photographs.

When Elliott Smith's self-titled second album came out in 1995, it was ignored by the press but championed by artists from the Beastie Boys to Fugazi. To commemorate the twenty-fifth anniversary of Elliott Smith, the Kill Rock Stars label is releasing a special deluxe package, which includes a new remastering of the original record; a coffee table book of previously unseen photographs by JJ Gonson with handwritten lyrics, reminiscences from Smith's friends and colleagues, and previously unseen photographs; and a bonus disc documenting the earliest known recording of Smith performing as a solo act. The set is a revelatory look at an under-appreciated work by an artist whose influence continues to expand seventeen years after his death.

Ghosts of West Virginia centers on the Upper Big Branch coal mine explosion that killed twenty-nine men in that state in 2010, making it one of the worst mining disasters in American history. In ten deftly drawn sonic portraits, Earle and his band the Dukes explore the historical role of coal in rural communities. More than merely a question of jobs and income, mining has provided a sense of unity and meaning, patriotic pride and purpose.

Wavves will be celebrating the 10th anniversary of their album "King Of The Beach" this year with a reissue on "Purple kush vinyl" with alternate art that was originally slated to be the cover but was eventually scrapped. It will come with a bonus 7" featuring two songs from the "KIng Of The Beach" era called "Mutant" and "Stained Glass (Won't You Let Me Into Yr Heart)".

Notes On A Conditional Form is The 1975's highly anticipated fourth studio album. Available May 22nd, the 22-track epic includes hit singles "People" and "Me & You Together Song". The band worked to use as little plastic as possible in the manufacturing of the product. Double LP pressed on clear-colored vinyl, housed in a 100% recycled and recyclable sleeve.

Making A Door Less Open, the new album from Car Seat Headrest and the first set of brand-new songs since 2016's Teens Of Denial, is set for release on May 1. The album will be available on vinyl and CD featuring distinct tracklists and mixes for each format. Created over the course of four years, Making a Door Less Open is the result of a fruitful 'collaboration' between Car Seat Headrest, led by Will Toledo, and 1 Trait Danger, a CSH electronic side project consisting of drummer Andrew Katz and Toledo's alternative persona, 'Trait.' To realize this, the band recorded the album twice: once live with guitars, drums and bass, and once in a MIDI environment using purely synthesized sounds. During the mixing process, the two approaches were gradually combined using elements of each, with additional overdubs.

Khruangbin has always been multilingual, weaving far-flung musical languages like East Asian surf-rock, Persian funk, and Jamaican dub into mellifluous harmony. But on its third album, it’s finally speaking out loud. Mordechai features vocals prominently on nearly every song, a first for the mostly instrumental band. It’s a shift that rewards the risk, reorienting Khruangbin’s transportive sound toward a new sense of emotional directness, without losing the spirit of nomadic wandering that’s always defined it. And it all started with them coming home.

King Gizzard & The Lizard Wizard have announced Chunky Shrapnel, a new music documentary film and accompanying double-LP live album. The new album features 13 live performances hand-picked from the band’s 2019 UK and European tour, and includes three new musical scores written by Stu Mackenzie that add a magical touch of an alien melancholy throughout the record. Chunky Shrapnel is an experience geared towards not only recreating the energy of a live concert, but creating something tailored and unique to the King Gizzard & The Lizard Wizard.

Norah Jones’ seventh solo studio album Pick Me Up Off The Floor features collaborators from Brian Blade to Jeff Tweedy, and grew out of her acclaimed singles series of the past 2 years as the songs she hadn’t yet released unexpectedly congealed into an album of tremendous depth and beauty connected by the sly groove of her piano trios, lyrics that confront loss and portend hope, and a mood that leans into darkness before ultimately finding the light.

‘Rough and Rowdy Ways’ is Bob Dylan’s first album of original material in 8 years and his first since becoming the only songwriter to receive the Nobel Prize for Literature, in 2016. Its 10 tracks include the three new songs released this spring: the album’s lead-off track, “I Contain Multitudes,” the nearly 17-minute epic “Murder Most Foul” and “False Prophet.”

The project was formed in early 2016, leading to their debut album later that year `Wisdom of Elders'; a document of sessions combining Hutchings with a group of South African jazz musicians he'd long admired.

Three-time Grammy Award winner Lucinda Williams unabashedly takes on some of the human, social and political issues of our day with her boldest and most direct album to date, Good Souls Better Angels. During the course of her celebrated four-decade, pioneering career Williams has never rested on her laurels as she continues to push herself as a songwriter. On Good Souls Better Angels, she has much she needs to get out. On Good Souls Better Angels, Williams changes course and chooses to forgo the personal and narrative-based songcraft that has become synonymous with her name and instead speaks to some of the injustices permeating our society. Williams recorded Good Souls Better Angels backed by her remarkable, long time band, featuring Butch Norton (drums), Stuart Mathis (guitar) and David Sutton (bass). The rock-solid unit propels the music with both fire and finesse. Good Souls Better Angels marks the first time Williams' husband/manager Tom Overby is credited as a co-writer on many of the new songs. The album was co-produced by Williams, Overby and Ray Kennedy, who last worked with Williams on her 1998 landmark album Car Wheels On A Gravel Road.

Los Angeles-based guitarist, composer, and producer Blake Mills announces forthcoming album Mutable Set. Much of the material was co-written with acclaimed singer-songwriter Cass McCombs, and this is Mills' first album of solo music with lyrics since 2014's "Heigh Ho" and second release under New Deal Records / Verve Label Group.

Up All Nite With Prince: The One Nite Alone Collection brings the electrifying power of Prince’s 2002 studio and live releases together in one stunning package. This 4CD/1DVD set includes One Nite Alone…, Prince’s striking piano-and-vocal studio album (in its first commercial CD release); the double-disc One Nite Alone…Live! featuring recent jams (“Muse 2 The Pharaoh,” “1+1+1 Is 3”) and classic favorites (“Raspberry Beret,” “Nothing Compares 2 U,” “When U Were Mine”); the high-energy One Nite Alone…The Aftershow: It Ain’t Over! with guest appearances by George Clinton and Musiq Soulchild; and the Live At The Aladdin Las Vegas DVD. The ultimate Prince concert experience is here!

Shabazz Palaces’ Black Up, the group’s Sub Pop debut, was recently hailed as one of the best albums of the decade by outlets like Pitchfork, Gorilla Vs Bear, and Variety. Pitchfork summed it up thusly: “Black Up is drowned in murky instrumentals and bombastic, introspective rhymes. The sounds flirt with jazz but also root themselves in a firm understanding of silence, or the sparse magic of simplicity. The songs teem with unexpected climaxes...From great mystery exploded an album of impossible vision.” That “impossible vision” has continued to confound and engage Shabazz Palaces fans over the course of four acclaimed albums and two EPs. Each release feels like an evolution, letting the music speak for itself, while slowly revealing more about its creator. With The Don of Diamond Dreams, the group’s fifth album, that spirit remains, this time embracing modernism in hip-hop and rap. Featuring 10 tracks in 43 minutes, the album features the highlights “Fast Learner (ft. Purple Tape Nate),” “Chocolate Souffle,” “Bad Bitch Walking (ft. Stas THEE Boss), and “Thanking The Girls.” It also features contributions from singer/keyboardist Darrius Willrich, Seattle’s OCnotes (who collaborated with Shabazz leader Ishmael Butler on the Knife Knights project), Los Angeles musician Carlos Overall, and bassist Evan Flory-Barnes. The Don of Diamond Dreams was recorded throughout 2019 and produced by Shabazz Palaces at Protect and Exalt: A Black Space in Seattle, mixed and engineered by Erik Blood at Studio 4 Labs in Venice, California, and mastered by Scott Sedillo at Bernie Grundman Mastering in Los Angeles.

After The Rainbow Children release and before the release of the One Nite Alone… studio album, Prince embarked on a tour of the same name. However, as opposed to the intimacy of the largely solo One Nite Alone… album, this upbeat trek through theaters in North America featured the full talents of Prince’s ever-expanding New Power Generation band. Members at the time included drummer John Blackwell, keyboardist Renato Neto and longtime collaborators like bassist Rhonda Smith and a horn section that included saxophonists Eric Leeds, Candy Dulfer and Maceo Parker. Taken from the highlights of 9 different shows in March and April of 2002 and clocking in at over 2 hours, the resulting 4 LP collection One Nite Alone…Live! was the first official live album of Prince’s career and the 27 tracks included feature selections from The Rainbow Children as well as Prince’s extensive back catalog, played with the full NPG as well as several solo piano excursions (“When U Were Mine,” “Raspberry Beret,” “Adore,” “The Beautiful Ones,” “Nothing Compares 2 U”). This release marks the first time that it’s available on vinyl.

The New Abnormal is the long awaited new album from The Strokes, and the band’s first album in seven years. The album was announced with the first track and video, “At The Door.”

The New Abnormal is The Strokes’ sixth studio album and was recorded at Shangri-La Studios in Malibu, California, with producer Rick Rubin. The album’s cover artwork is a painting called ‘Bird on Money,’ by famed artist Jean-Michel Basquiat.

The Strokes are singer Julian Casablancas, guitarists Nick Valensi and Albert Hammond Jr, bassist Nikolai Fraiture and drummer Fabrizio Moretti.

This 2 LP release documents Prince’s mythic late-night after show performances. Never available as physical stand-alone release and only available originally on CD as part of the One Nite Alone box set exclusive to NPG Music Club members, the album features an hour of amazing jams and includes guest appearances by George Clinton and Musiq Soulchild.

"It was in winter 18/19 - I flew to Montreal to meet with Tim Kingsbury, Richard Reed Parry, Craig Silvey and Teddy Impakt at Le Studio Du Arcade Fire. It was a fine time with a dream team in a city I love. Winter in beautiful Quebec. Les semaines les plus froides de ma vie. I had a bunch of demos that were inspired by migration stories I had heard from friends or read in newspapers while on tour in Europe and North America. I remember being struck by the similarities of the stories I heard from both continents and how really only the names of the powerful and the powerless had changed - thinking, "Is this the future? Is this our future?"Some time went by, the stories wove together and I remember them now closer to characters in a dream of how people could treat each other than any kind of front-page news realism. I think music subconsciously - whether writing or listening - is a filter for me - helping to process all the bad news into something new to build from - some records to me are like self-fulfilling prophecies - visualizing change to wish something into being - those records inspired this one." - M. Ward

Thundercat is set to release his new album It Is What It Is on Brainfeeder Records on April 3, 2020, and shares the first music; 'Black Qualls (featuring Steve Lacy and Steve Arrington). The album, produced by Flying Lotus and Thundercat, features musical contributions from Ty Dolla $ign, Childish Gambino, Lil B, Kamasi Washington, Steve Lacy, Steve Arrington, BADBADNOTGOOD, Louis Cole and Zack Fox. It Is What It Is follows his game-changing third album Drunk (2017). That record completed his transition from virtuoso bassist to bonafide star and cemented his reputation as a unique voice that transcends genre. 'This album is about love, loss, life and the ups and downs that come with that,' Bruner says. 'It's a bit tongue-in-cheek, but at different points in life you come across places that you don't necessarily understand' some things just aren't meant to be understood.'

As the world greeted the promise of a new millennium, even Prince was experiencing a great sense of transformation. In 2000, he announced the reclamation of his birth name after seven years as an unpronounceable symbol. In 2001, after a period of study and debate with his friend and mentor Larry Graham (former bassist for Sly and The Family Stone), Prince converted to the Jehovah’s Witness faith. These transformations bore fruit with the release of The Rainbow Children at the end of 2001. Billed as “controversial” in its press materials for its open spiritual message, the jazz-inspired record was Prince’s first fully independent release, issued without any major label backing. One of its songs, “The Work, Pt. 1,” was released by Prince as a free download on the file-sharing service Napster; this move, along with direct-to-consumer stream and download options on the NPG Music Club, made Prince a digital music visionary. The Rainbow Children is a continued favorite among Prince’s most fervent admirers due to its complex musical narrative, its use of live drums and a full horn section, and the striking album art by artist Cbabi Bayoc, which still hangs in the hallowed halls of Paisley Park today. The CD has long been out of print and the original vinyl was incredibly limited and copies fetch hundreds of dollars. 

Recorded in 1982, not long after she moved to Paris, Fodder On My Wings was one of Nina Simone's favorite albums. In addition to having written the music and lyrics for all but one of the album's 13 songs, the back cover proudly states that she 'arranged, conducted and conceived' all of them. Originally recorded for a small French label and only sporadically available since its initial release, Fodder On My Wings is a lesserknown but important part of Nina's musical history. The album contains deeply personal songs, including 'I Sing Just To Know That I'm Alive' and 'I Was Just A Stupid Dog To Them', as well a searing lyrical improvisation about the death of her father on 'Alone Again, Naturally'. Recorded at a time when Nina was feeling rejuvenated by her surroundings and the African musicians she met in Paris, Fodder On My Wings is an essential Nina Simone album that is making a longoverdue reappearance.

Safe in the Hands of Love marked the vanguard arrival of Yves Tumor. Unclassified and unannounced, the release received widespread acclaim and cemented itself as a landmark in the hallowed Warp catalog. The experimentalist voiced a new generation, creating a surreal pop stratosphere for outsiders and the masses alike. Heaven To A Tortured Mind is the next step in that searing trajectory. A mindfully crafted studio album, gracefully blending genre into alternative bliss. Effortless and inspired, Heaven To A Tortured Mind is an album for lovers, losers and the unconcerned.

Prince would follow The Rainbow Children with the stunning One Nite Alone… in May 2002. Featuring almost nothing but Prince’s acoustic piano and vocals (save for occasional rhythm from drummer John Blackwell and the ambient cooing of Divinity and Majesty, Prince’s pet doves), this intimate album offers favorites like “U’re Gonna C Me” and a cover of “A Case Of U,” written by one of Prince’s idols, Joni Mitchell. The original album never had a wide physical release as the CD was an exclusive to Prince’s NPG Music Club members and this marks it’s first time on vinyl.

Lilly Hiatt felt lost. She’d just returned home from the better part of a year on tour in support of her acclaimed third album, Trinity Lane, and, stripped of the daily rituals and direction of life on the road, she found herself alone with her thoughts for the first time in what felt like ages.

So Hiatt did what’s always come most natural to her in times of questioning and uncertainty: she picked up a guitar. Over the course of the ensuing winter, she wrote new music that grappled with her sense of self and place in the world, reckoning with issues that had been bubbling beneath the surface of her subconscious in some cases for years. The result is Walking Proof, Hiatt’s fourth and most probing collection to date. The record walks the line between Hiatt’s rough, rock and roll exterior and her tender, country roots. Lilly Hiatt’s not feeling so lost these days, and with Walking Proof, she’s crafted a roadmap to share with the rest of us.

Enhanced with PlayARt - Augmented Reality

Guardians remains true to August Burns Red heavy sound. It is the most collaborative writing effort to date and remains true to form for the band. It is 11 heavy tracks that have a common theme of helping others.

Single LP on black vinyl in single jacket w/ matte coating. Includes euro sleeve (with lyrics) & 24”x36” poster. Download coupon also included

What do we hold on to from our past? What must we let go of to truly move forward? Waxahatchee’s Katie Crutchfield spent much of 2018 reckoning with these questions and revisiting her roots for answers. The result is Saint Cloud, an intimate journey through the places she’s been, filled with the people she’s loved.

Follow-up album to his highest U.S. debut album “California Son” which debuted at # 7 on the charts. New album produced by Joe Chiccarelli (Spoon, The Shins, My Morning Jacket). Recorded in St-remy, France.

In their first collaboration, Brian and Roger Eno present an anthology of sonic inspiration. ‘Mixing Colours’ invites listeners into a prismatic world of calm contemplation. Based on a series of deliberately abstract colours, the innovative brothers evolved the new recording into a unique collection over the years. Their creative DG debut will reach an audience still unfamiliar with their artistry. The poetic set spotlights two celebrated ambient musicians at the height of their artistry.

Deap Lips is Wayne & Steven from THE FLAMING LIPS with Julie & Lindsey from DEAP VALLY. This special collaboration came together after a friendship formed between the bands. It will hit stores on CD and LP via Cooking Vinyl  on 3/13.

Live is Dungen in their own land saving up stunning solos & fiery interplay for their home team, elements of their most inspired moments assembled into one piece of continuous music by producer Matthias Glava. Live showcases what Dungen does best: create a vibe where none existed, build a mood out of circumstance, attack the music with a fan's soul & a master's virtuosity. It extends moments out of their seemingly explored catalog & breathes new life into them. In stores 3/13 via Mexican Summer.

Sorry You Couldn't Make It is the long awaited "country album" from the legendary Swamp Dogg. Recorded in Nashville, featuring John Prine, Justin Vernon, Jenny Lewis, and others.

For Sophie Allison, aka Soccer Mommy, color theory confronts the ongoing mental health and familial trials that have long-plagued her, presenting listeners with an uncompromisingly honest self-portrait. The new album’s sonic landscape is vast and dexterous, with melodies that shimmer on the surface, but reveal an unsettling darkness with each listen.

• Expanded reissue of Grammy®-winner’s third solo release. • Contains first CD/Digital release of his vinyl-only 2015 EP. • 12 previously unissued bonus tracks. • New liner notes from the artist, and photography from Timothy Duffy Dom Flemons is known as “The American Songster.” The talented multi-instrumentalist was a member of the Grammy®-winning Carolina Chocolate Drops from their inception in 2005 through 2013, and has performed with artists including Guy Davis, Old Crow Medicine Show, and Taj Mahal. His third solo album, Prospect Hill, was released in 2014 after Flemons spent “many days listening to vinyl records, 78s and CDs, discovering new genres of music in record stores all across the country and the world.” That seminal release returns in an incredible, expanded edition. Prospect Hill: The American Songster Omnibus is a 2-CD and Digital collection containing a three-part journey: the original album; the 2015 Record Store Day 9-track EP What Got Over (originally vinyl only, making its first appearance on CD/Digital); and a third section, The Drum Major Instinct, a set of 12 previously unissued instrumental tracks that “presents the vision of the Phoenix rising from the ashes, morphing into a butterfly, and seeing the world with a new set of eyes.” With extensive liner notes from Flemons and his wife, Vania Kinard, matched by extraordinary photography from Timothy Duffy (whose works are in the permanent collections of the National Gallery of Art, National Museum of African American History and Culture, the New Orleans Museum of Art, among others), this new collection truly showcases Flemons’ artistry, talents, and dedication to deserving the moniker “The American Songster.” So, take the journey, whether it’s your first time, or a return trip with new sights and sounds on Prospect Hill: The American Songster Omnibus.

One of the greatest jazz innovators of all time, alto saxophonist and composer Charlie Parker (b. August 29, 1920) is one of the few musicians who can be said to have permanently changed jazz. A leading figure in the development of bebop, Parker (also known as “Bird”) left an enormous musical legacy in his short 34 years of life, and his vast influence extends to other forms of art, such as dance, literature, visual arts and film. As part of Bird’s centennial celebration in 2020, Craft Recordings presents The Savoy 10-Inch LP Collection, a deluxe box set including four 10-inch LPs cut from newly restored and remastered audio. The collection highlights Bird’s pioneering bebop recordings for Savoy Records from 1944–1948, featuring jazz legends Miles Davis, Dizzy Gillespie, John Lewis, Bud Powell, Max Roach and more. The package includes faithfully restored original album artwork, plus a booklet containing vintage photos, rare ephemera and new liner notes by GRAMMY®-winning author Neil Tesser. The complete set will also be released digitally.

As the world greeted the promise of a new millennium, even Prince was experiencing a great sense of transformation. In 2000, he announced the reclamation of his birth name after seven years as an unpronounceable symbol. In 2001, after a period of study and debate with his friend and mentor Larry Graham (former bassist for Sly and The Family Stone), Prince converted to the Jehovah’s Witness faith. These transformations bore fruit with the release of The Rainbow Children at the end of 2001. Billed as “controversial” in its press materials for its open spiritual message, the jazz-inspired record was Prince’s first fully independent release, issued without any major label backing. One of its songs, “The Work, Pt. 1,” was released by Prince as a free download on the file-sharing service Napster; this move, along with direct-to-consumer stream and download options on the NPG Music Club, made Prince a digital music visionary. The Rainbow Children is a continued favorite among Prince’s most fervent admirers due to its complex musical narrative, its use of live drums and a full horn section, and the striking album art by artist Cbabi Bayoc, which still hangs in the hallowed halls of Paisley Park today. The CD has long been out of print and the original vinyl was incredibly limited and copies fetch hundreds of dollars. This new double LP vinyl edition comes on limited edition crystal clear vinyl packaged in gatefold packaging along with an exclusive Prince rainbow slipmat.

On October 22nd Courtney Barnett performed a unique and special show at the invitation of MTV Australia in her hometown of Melbourne. The “Unplugged” performance features Barnett as you’ve never heard her before, warm, vulnerable and emotional. Under a garland of lights and a canopy of florals in the outdoor courtyard of Howler, Barnett performed a stirring set of eight songs to an intimate audience including “Depreston”, “Avant Gardener” and “Sunday Roast." Joined by her usual band Dave Mudie and Bones Sloane, she also enlisted cellist Lucy Waldron. MTV Australia Unplugged Live in Melbourne will be released physically on February 21.

This is the Ozzman’s first album in 10 years and with his recent appearance on the Post Malone track “Take What You Want” as well as his single “Under The Graveyard” which has now been #1 at Active Rock for five weeks and #1 at Classic Rock for nine weeks we are poised to have a massive return to the marketplace.  Some of the announced features include longtime guitarist Zakk Wylde, Slash & Duff McKagan (GNR), Chad Smith of the RHCP, and Post Malone guitarist / producer Andrew Watt.  There are additional big name features that have yet to be announced.

Craft Recordings is thrilled to announce the release of a vinyl box set celebrating one of music’s greatest gospel and soul groups, The Staple Singers. Set for a December 6th release date, Come Go With Me: The Stax Collection presents all of the group’s studio albums released on the iconic Memphis label, spanning 1968–1974, and features the Staples’ biggest hits, including “I’ll Take You There,” “Respect Yourself” and “If You’re Ready (Come Go with Me).” The six studio albums were cut from the original analog masters by Jeff Powell at Take Out Vinyl. The final, seventh disc offers rarities, non-album singles and several live recordings from the legendary 1972 Wattstax music festival. The seven discs come in heavyweight 180-gram vinylpressed at Memphis Record Pressing. Housed in a slipcase, the collection also includes a deluxe booklet with archival photos and new liner notes from American music specialist and curator Levon Williams (formerly of the Stax Museum and the National Museum of African American Music), and folklorist, ethnomusicologist and writer Dr. Langston Wilkins. The complete collection will also be released digitally, and the six studio albums will be available in hi-res 24-bit/192 kHz and 24-bit/96 kHz formats for the first time.

Black Pumas has announced their highly anticipated debut album set for release on June 21. The band is led by the creative partnership between Grammy Award-winning guitarist / producer Adrian Quesada and 27-year-old songwriter Eric Burton. Burton is a relative newcomer who arrived in Austin in 2015 after busking his way across the country from Los Angeles, while Quesada has a storied reputation for playing in bands like Grupo Fantasma and Brownout. 

After the two connected via friends in the Austin scene, they began to collaborate on a new sound that transmutes soul into something idiosyncratically modern. Reminiscent of Ghostface Killah and Motown in equal measure, this original sound ensured that Black Pumas’ weekly residency at C-Boys quickly became “the hottest party in town” (Austin-American Statesman). 

2020 release. Early James, an Alabama native and signing to Dan Auerbach's Easy Eye Sound roster, releases his debut album, Singing for My Supper. The album spans hard-charging blues, wistful folk, and ages-old pop crooning, anchored by the singer's voice that oscillates from gravel-gruff shout to a honey-smooth whisper. James' inspirations run from Fiona Apple and Tom Waits to the Southern gothic poets, as heard in the album's darker themes and in the wry humor with which he writes about them. Early James' debut features ten wide-ranging songs, co-produced by Auerbach and David "Fergie" Ferguson, is full of world-weary wisdom. "Blue Pill Blues" details a period when James, who was being treated for depression, quit his antipsychotic medication cold turkey. "High Horse" is a lament of the ways his adolescent excitement faded with the arrival of the vices of adulthood, while "Easter Eggs" finds the songwriter coming to terms with some of the darker sides of his heredity.

Preorder the Black Vinyl !! Current orders available after 5/15/2020.

Vinyl LP pressing. 2020 release. His last album - 2017's The Nashville Sound - a #1 album on the Billboard Folk, Independent, Country and Rock albums charts, also received Best Americana Album at the Grammys, Album Of The Year At The Americana Honors & Awards and was nominated at the CMA Awards for Album Of The Year. Since then, he has collaborated on the soundtrack for A Star Is Born, the debut album by the Highwomen, and Sheryl Crow's latest album Threads. He also released a live album, Live From the Ryman.

Following 2015’s In Colour and global touring with The xx, Idontknow is Jamie’s return to the club. It lived through late 2019 - everywhere from Jamie’s own low-key parties In London and LA to OIL Club in Shenzhen, Caribou’s BBC Essential Mix to Ben UFO on The Lot. Now in uncertain times, it remains a release of energy - to move to, let loose to and to look forward to parties again.

Sleaford Mods are set to continue their onslaught into 2020 with the release of All That Glue, a collection of songs spanning the last seven years of the bands career; an array of crowd pleasers, B sides, unheard tracks and rarities for fans and the curious, released via Rough Trade.

Set My Heart On Fire Immediately is the fifth studio album from Perfume Genius that will be released May 15th on Matador Records. It sees artist and musician Mike Hadreas re-teaming with GRAMMY-nominated producer Blake Mills and features contributions from musicians Jim Keltner, Pino Palladino and Matt Chamberlin. It was recorded in Los Angeles, where Perfume Genius settled in 2017 with longtime partner and musical collaborator Alan Wyffels. 'I wanted to feel more open, more free and spiritually wild,' says Hadreas, 'and I'm in a place now where those feelings are very close-- but it can border on being unhinged. I wrote these songs as a way to be more patient, more considered -- to pull at all these chaotic threads hovering around me and weave them in to something warm, thoughtful and comforting.'

Jim Lauderdale comes back to his roots with When Carolina Comes Home Again, a bluegrass album of songs old and new. Chocked full of rich stories, tremendous foot stompin' tunes, and extraordinary musicianship, the album will delight bluegrass enthusiasts and beyond. With urgency and precision, the song 'When Carolina Comes Home Again' tells the tale of a man awaiting his lover, Carolina, to return home. In the cheeky 'Cackalacky' Lauderdale sings of his love of biscuits. Brimming with real life, there's a little something for everybody here.

The 3 LP edition contains the original 1994 Wildflowers album (remastered) with 15 tracks on two LPs. LP 3 contains All The Rest, the 10 songs from the Wildflowers sessions that were left off the album, 5 of which are previously unreleased.

Singer/guitarist Tyler Bryant wrote "Crazy Days" to help him deal with the insanity that is 2020. There were zero plans to have it be the lead-off single for a fourth album, Pressure, whose 13 blues-infused, timeless rock songs create a full-circle journey that both embraces and distracts Guest vocals include Charlie Starr of Blackberry Smoke. and Rebecca Lovell of the duo Larkin Poe. Red LP.

Steep Canyon Rangers are Asheville, North Carolina's GRAMMY winners, perennial Billboard chart-toppers, and frequent collaborators of the renowned banjoist (and occasional comedian) Steve Martin. Since coming onto the bluegrass scene at the dawn of the millennium, Steep Canyon Rangers have been on a journey and continue to push the boundaries of the genre. Their newest work, Arm in Arm, finds the band in a unique position where their sound is much more Americana than their bluegrass origins. Produced by Brandon Bell (Zac Brown, John Prine) and featuring Oliver Wood of the Wood Brothers and Michael Bearden (music director for Michael Jackson), the Rangers continue to hone their craft with unlikely collaborators while developing a sound that is uniquely their own.

The First Edition LP is pressed on paint splatter vinyl and is limited to 1,000 copies worldwide!

Relive the soundtrack from "The Walking Dead: Saints & Sinners" VR zombie experience. The gripping complete collection brings to life the horrifying journey through walker-infested New Orleans. This 2-CD set features 56 Bayou-inspired songs and compositions by Michael David Peter & Joshua Mosely, with muddy re-imaginings of songs like "When The Levee Breaks", "In The Pines" and "When The Saints Go Marching In". Immerse and ask yourself: are you a saint or a sinner?

Also available on Red/Green/Clear Smoke colored 3LP with Alternative Cover

Since their formation, Chiodos have been focuses on creating something different while letting their diverse influences shine through. Their resulting debut full length is only definable as a melting pot of electronic beats behind piano, metal guitar riffs and poppy melodic vocal lines that leave you humming. Heavy and harsh at one moment beautiful and serene the next, seemingly as a rul staying away from "verse-chorus-verse" song writing. Influenced by Saves the Day, Queen and at the Drive In, Chidos create a sound both intense and versatile as they cross musical boundaries.

The definitive new Best Of John Lennon - 19 tracks on 2 LPs completely remixed from the original master tapes giving these classic songs a new life for generations to come and sounding better than ever before. Double LP on 180-gram vinyl. Contains 8 page booklet, fold-out double sided poster and GIMME SOME TRUTH. bumper sticker.

2 LP GATEFOLD.

8 PAGE BOOKLET, 1 FOLD OUT POSTER, 1 BUMPER STICKER.

19 TRACKS IN STEREO.

Released in October 2000, Linkin Park’s groundbreaking debut album ​Hybrid Theory​ is a melting pot of heavy alternative rock, hip-hop and electronic flourishes that inspired a new genre of music and a generation of dedicated fans, who continue to be loyal followers of the band. Additionally, the band’s sound influenced many young bands who related to the intense and emotional musical style. ​Hybrid Theory​ was the best-selling album of 2001 in the US and has since exceeded 11 million album sales in the US, qualifying for the rare Billboard “Diamond” award.

Hybrid Theory’s​ success was supported by intensive touring, and three successful singles: “One Step Closer,” “Crawling,” and “In The End.” The band won their first Grammy Award for “Crawling” as Best Rock Performance.

To celebrate 20 years since the original release, ​Hybrid Theory​: ​20​th​ Anniversary Edition ​will be released on October 9​th​, 2020. The flagship format is a super-deluxe edition box set that includes unreleased and hard-to-find material on CD, vinyl and DVD. The box set also includes a lavishly illustrated 80-page book with contributions from the band and many previously unseen photographs, plus a replica tour laminate,an oversize poster of Chester Bennington, and 3 lithographs of new artwork supplied by Mike Shinoda, Joe Hahn and Frank Maddocks (the art director on the original release, and this anniversary edition).

The Seeds of love is the third studio album by Tears for Fears.

The album was released in September 1989, entering the UK Album Chart at no.1 and would be certified Platinum by the BPI within three weeks.

In the US, the album peaked at no.8, and was also certified Platinum.

The album also reached the top ten in various other countries around the world.

The album contained the Singles: Sowing the Seeds, Woman in Chains, Advice for the Young at Heart and Badman’s song, upon release it was seen (and still is) as one of the greatest albums of the 80’s.

This Deluxe edition contains not only the original album, but a new 5.1 mix by Steven Wilson which was done in conjunction with Roland Orzabal, as well as all the relevant B-Sides, alternate mixes and around 60 minutes of previously unheard demos and live rehearsals.

The set is housed in a shoe box style box (similar to the other 2 releases) with an extensive booklet, with new interviews by Super Deluxe editor Paul Sinclair with the band and other players on the album. It also contains the tour programme of the era as well.

Brothers Osborne are set to release their third studio album, Skeletons, on October 9th. They are 2x CMA Award winners for Vocal Duo Of The Year and winners for the 2018 ACM New Artist of the Year. With 12 new tracks, including current hit- "All Night". Brothers Osborne's two previous albums Pawn Shop and Port Saint Joe produced seven singles that charted on the Hot Country Songs chart and included #1 Platinum single, "Stay A Little Longer".

Patrick McDermott began his North Americans project with two albums: 2013’s No_No, and 2015’s Legends. Both records were dense affairs, with blocks of sound shifting and moving like melting glaciers to create a gorgeous, impenetrable, collection of digital drones. Though they sounded nothing like what would come a bit later, both records showcased McDermott’s understanding of mood and composition. On 2018’s Going Steady, McDermott blended his love of American Primitive guitar playing with playful pieces that never overstayed their welcome. He also began collaborating with a wide range of artists: from Julianna Barwick to guitar prodigy Hayden Pedigo, as well as Cloud Nothings’ Dylan Baldi, and more.

Now, two years later, McDermott is releasing Roped In, a gorgeous, intimate, and often spare album that pulls back from the collaborative nature established on Going Steady for a collection of fragile drone pieces anchored by McDermott’s intricate but direct guitar playing and haunting pedal steel work from Portland, Oregon’s Barry Walker.

Where Going Steady was brimming with ideas and micromovements, Roped In is relatively sparse, built on patience and the kind of once-in-a-lifetime collaborative energy between McDermott and Walker, and accented by occasional collaborations from harpist Mary Lattimore and guitarist William Tyler. “I wanted to focus on the simplicity of the music,” McDermott says. “I didn’t want to be beholden to this massive goal of [making music] to see how progressive and experimental it could be. I was attempting to cherish the pureness of this type of music.”

All the comedy, music, and memorable moments from the spectacular “Kacey Musgraves Christmas Show” available on beautiful, white vinyl!

Features contributions from other Chicago artists such as Ohmme, Lala Lala, V.V. Lightbody and more. - First truly new material since the release of last year’s Lookout Low. - Part of a two EP series called Side A/Side B, which will be compiled together upon the release of EP2 later this year.

Violet Bent Backwards Over the Grass is the title poem of the book and the first poem I wrote of many. Some of which came to me in their entirety, which I dictated and then typed out, and some that I worked laboriously picking apart each word to make the perfect poem. They are eclectic and honest and not trying to be anything other than what they are and for that reason I’m proud of them, especially because the spirit in which they were written was very authentic. — Lana Del Rey….The recording includes 14 poems performed by Lana Del Rey accompanied by music from Grammy Award-Winning songwriter/producer Jack Antonoff.

Midnight Manor, the much anticipated sophomore album of the six-piece rock outfit The Nude Party is set for release on October 2nd via New West Records. Following two years of non-stop touring in support of their eponymous debut release, the band returned to their farmhouse in New York's Catskill Mountains to record the follow up to their acclaimed 2018 self-titles debut.

Like The Band's sacred home-recording habitat The Big Pink, The Nude Party's communal dwelling provided the landscape and proximity to focus on deepening their bonds through music. It was at the Manor that the band of childhood friends could shift their energies from the archetypical emotional journeys of mid-twenty-somethings towards rebuilding their road-worn relationships with one another, leading them to write Midnight Manor - an album that lead singer Patton Magee describes as "a stone skipping over troubled waters."

With Midnight Manor, The Nude Party shine a light on their past while at the same time moving towards a brighter future.

ROGER WATERS: US + THEM, chronicles the acclaimed 2017-2018 tour of the iconic Pink Floyd artist. As the founding member, lyricist, composer and creative force behind Pink Floyd, US + THEM presents Waters powerful music in stunning form and highlights its’ message of human rights, liberty and love. Based around his acclaimed, sold-out US + THEM worldwide tour of 2017-18, comprising a total of 156 shows to 2.3 million people across the globe, it features classic songs from The Dark Side of the Moon, The Wall, Animals, Wish You Were Here as well as his most recent album, Is This The Life We Really Want?

Waters powerfully demonstrates that he is at heart, a musical activist and one of the most passionate political commentators of his time. He has dedicated his life to fighting against those who seek to control our lives and destroy our planet. Welcome To The Machine and Another Brick In The Wall Part II, are a stark reminder of the bleak warnings that he gave decades ago about alienation, displacement, greed, suffering, destruction and loss. And yet the humanity of the songwriter cannot be more plainly seen than in Wish You Were Here, because, although he presents a grim picture of the state of the world, ultimately his message is one of hope through unity and love.

The Ascension is the eighth studio album from singer, songwriter and composer Sufjan Stevens and is the long awaited follow-up to Stevens’ Carrie & Lowell. One of the most acclaimed albums of 2015, The New York Times praised Carrie & Lowell as “restrained and meticulous” while Pitchfork declared it “a masterpiece.”

In the time between Carrie & Lowell and the forthcoming The Ascension, Stevens also released Oscar-nominated music for the Luca Guadagnino film Call Me By Your Name; a collaborative album entitled Planetarium with Nico Muhly, Bryce Dessner (The National) and James Mcalister; The Decalogue, a solo piano work performed by Timo Andres; and scored several works for ballet: Reflections (Houston Ballet) and Principia (NYCB).

The Ascension is musically expansive and sweeping in thematic scope.

Live Around The World [Vinyl] is their First Live Album On Double LP!

Half-Speed Mastered at Abbey Road Studios!

Since their first appearance together in 2009 when Queen members Brian May and Roger Taylor appeared as guests on the finale of the eighth season of American Idol on which Adam Lambert was a contestant, the combination of Queen + Adam Lambert has gone from strength to strength becoming one of the world's biggest drawing touring bands. Their most recent tour of Oceania saw them selling out to massive audiences, with a single show at Sydney's ANZ stadium drawing a record crowd of over 60,000. To date the band has played to a worldwide audience approaching 4 million.

The set presents a compilation of concert highlights captured the world over personally selected by Taylor, May and Lambert from over 200 shows they have performed with several featured here becoming available for the very first time.

FEATURES:

• Double LP
• Half-Speed Mastered at Abbey Road
• Includes entire 'Live Aid' performance from Fire Fight Australia

Queen & Adam Lambert Live Around The World Half-Speed Mastered 2LP

For his fourth album, Keep ‘Em on They Toes, Brent Cobb is giving his songs the space they need to speak for themselves, a reflection of his own decision to write about the way he sees the world. “My last couple of albums have been about people and places, and I wanted this album to be about thoughts and feelings,” he says.

At his core, Cobb still writes country songs, so there’s a continuity between Keep ‘Em on They Toes and past projects like 2016’s Shine on Rainy Day (a Grammy nominee for Best Americana Album) and 2018’s Providence Canyon. After living in LA and Nashville to develop his music career, Cobb and his family moved back to Georgia a few years ago – a decision that affected his songwriting. “It’s funny because the last two albums were about me growing up in Georgia, and now we’re back here,” he says. “I’m not writing about missing it anymore, so the songs are coming from within now. It’s not a longing for home, it’s what I think about now that I live down here.”

Cobb and his band recorded the project in Durham, North Carolina, with producer Brad Cook. Inspired by the spaciousness of classic country albums like Jerry Lee Lewis’ 1977 Country Memories, the new project allows the listener to hear everything that’s going on, yet the songs remain the star of the show.

Keep ‘Em on They Toes, Cobb captures the mindset of a man who values a simpler time despite living in a modern world. “To me, listening to this album feels like I’m sitting there with somebody, having a conversation,” Cobb says. “I would hope that it feels like sitting with an old friend you haven’t seen in a while. There’s nothing like being alone and listening to an album that is quiet and conversational – like those old records by Jerry Lee Lewis, Roger Miller, or Willie Nelson. I hope my music is that way to somebody now.”

Black Vinyl. Debut album on Earache Records from US Alt-Metal act Tallah. An original dose of f***ed up and disturbing alt-metal insanity. For fans of Korn, Code Orange, Slipknot, Deftones & Vein. Exhilaratingly fresh whilst incorporating nostalgic 90s nu-metal vibes

Shania Twain's `The Woman In Me' album reached Diamond status in 1997, selling over 20 million copies to date. Remastered in celebration of the 25th anniversary. Available on vinyl.

This new release from Herb Alpert Presents is the definitive retrospective on the illustrious career of one of America's most unique musical voices, Herb Alpert! Containing 63 tracks culled from 6 decades of the trumpeter's classic recordings, HERB ALPERT IS... is the perfect companion piece to the new 2020 feature length documentary of the same name. Presented in a coffee table style LP record book containing five 12-inch, audiophile quality 180-gram vinyl records and 180 pages of vintage photos, extensive song credits, and a 7,500 word essay written by Bud Scoppa. The record book is housed in a custom slipcase with a screened printed smoked acrylic window.

Indiana’s Hoops released their critically-acclaimed debut album Routines in 2017, and, soon after, announced an indefinite hiatus. The trio - friends, singers, and multi-instrumentalists Drew Auscherman, Kevin Krauter and Keagan Beresford - had been making music together for almost half of their lives, but the band had begun to feel more like a burden than an outlet, so they decided to call it quits. “I think we had lost a lot of steam,” explains Krauter. “Hoops wasn’t moving forward organically. It was being dragged along.” Following a short but necessary break, during which the band had the opportunity to explore their own creative endeavors, Hoops have reunited and announce their incredible sophomore album today. Recorded at Bloomington’s Russian Studio, the studio that had been home to L’il Bub (RIP), and produced by the band’s friend Ben Lumsdaine, Halo is an album defined by musical exuberance, full of gratitude and generosity, and, simply, sounds like a lively conversation amongst close friends.

2020 release. The Times is a moving and topical solo acoustic performance, a unique collection of songs, filmed at home during lockdown as part of the raw and personal, Fireside Sessions series.

The lead singer of beloved heartland-punk band The Gaslight Anthem, Brian Fallon steps away from that sound and into a stripped-down Americana space on his third solo album, Local Honey. Produced by Grammy-award winning producer Peter Katis (The National, Frightened Rabbit, Death Cab for Cutie), the album showcases Fallon's songwriting in small vignettes, from a loving devotional for his daughter to a vengeful murder ballad.

Recorded at Henson Studios and Trainwreck Studios, Ohms is an other-worldly body of work meticulously crafted by the 5 piece band. It is a magnificent tour de force and their first album in 4 years since the critically acclaimed Gore LP in 2016. The band, which includes Chino Moreno, Frank Delgado, Stephen Carpenter, Abe Cunningham, and Sergio Vega, has produced a dense LP with every member firing on all cylinders. The album also boasts a familiar collaborator in veteran producer and engineer Terry Date, who worked on 1995’s Adrenaline, 1997’s Around the Fur and 2000’s White Pony. All of the above assembles and sets the stage to deliver Ohms; 10 tracks of raw escapism and unparalleled grooves that have made Deftones' sound singular for over two decades.

2020 release, the seventh studio release from the R&B superstar. Alicia features the singles "Show Me Love", "Time Machine", and "Underdog".

The album features 15 tracks highlighting the group’s energetically hopeful vibe, conveying the members’ collective message that we’re all “Super” and we can overcome any hardship together as “One”. The album, which will be released on Sep 25, includes 1 booklet, 1 CD-R booklet, 1 ID card, 1 ID card holder, 1 postcard, 1 folded poster, and 2 photo cards. This is an official release from SM Entertainment and Capitol Records.

Keith Urban will release his brand new studio album on September 18th worldwide. The album will include his current hit single “God Whispered Your Name” as well as the #2 smash hit-“We Were”. Keith won the CMA Entertainer Of The Year in 2018 and he is currently the 2019 ACM Entertainer Of The Year. Keith will be hosting the ACM Awards on Wednesday-September 16th while will air on ABC-TV. “In October 2019 this album title came to me. I liked it because I felt like life was flying by so fast. But music (for me) has always been the place where it slows down and doesn’t even exist. I would never have imagined that, in 2020, this album title would take on a whole new meaning.” - Keith

The Third Gleam marks a return to the Avett Brothers’ roots, both sonically and with Seth & Scott playing as a trio with longtime bassist Bob Crawford. The eight tracks capture their personal experiences and perspectives on undeniably timely, universal themes: isolation, gun violence, incarceration, historical prejudice, mortality, resilience, love, hope, redemption. 12 years in the making, this is the third installment of the brothers’ ongoing Gleam series.

PALO ALTO After the assassination of Dr. Martin Luther King, Jr. In 1968, racial tensions across the country rose. Palo Alto, a largely white college town in Cali, wasn't immune. Danny Scher, a junior at the high school, had a dream to have Thelonious Monk perform and help bring about racial unity the community while raising funds for the International Committee. After many twists and turns, the triumphantly successful concert eventually happened. #vinyl LP

Prince’s iconic album,Sign O’ The Times, has been remastered for the very first time by Prince’s original mastering engineer Bernie Grundman.

• LP1-2: Sign O’ The Times album (2020 Remaster)
• LP3-4: 13x singles mixes and edits, all newly remastered

CD Version comes with a bonus track - Jamie lee Curtis reading her children's story 'Today I Feel Silly'. A follow up to 2009's GRAMMY Winning Family Time - Ziggy has bottled the energy of his children and put it into music form! This is a very special piece and have a number of friends guesting on this album, including: Stephen Marley, Sheryl Crow, Ben Harper, Angelique Kidjo, Alanis Morissette, Tom Morello, Lisa Loeb, Busta Rhymes and Jamie Lee Curtis (reading her new book Today I Feel Silly). A portion of proceeds will benefit Ziggy's 501(c)3 URGE - which supports the education, social development and overall well being of the Chepstow Primary School and the One Love Youth Camp, both in Jamaica.

American Head is the best and most consistent studio album from The Flaming Lips since the release of their most successful brace of albums The Soft Bulletin and Yoshimi Battles The Pink Robots. Similar to those albums, the 13 songs on American Head are classically structured and features the same sonic and production qualities. Kacey Musgraves (a fan who covers “Do You Realize” in her live set) is featured on “God And The Policeman”.

In the five years since Will Butler released his debut album, Policy, he’s toured the world both solo and as a member of Arcade Fire, released the Friday Night live album, recorded and released Arcade Fire’s international #1 album Everything Now, earned his master’s degree in public policy from Harvard, hosted a series of touring town halls on local issues (police contracts, prison reform, municipal paid sick leave, voting rights), and spent time raising his three children. 

He also found the time and inspiration to write and record a new album, Generations.

“My first record, Policy, was a book of short stories,” Butler says. “Generations is more of a novel—despairing, funny, a little bit epic… A big chunk of this record is asking: What’s my place in American history? What’s my place in America’s present? Both in general—as a participant, as we all are, in the shit that’s going down—but, also extremely particularly: me as Will Butler, rich person, white person, Mormon, Yankee, parent, musician of some sort, I guess. What do I do? What can I do? The record asks that question over and over, even if it’s not much for answers.”

While the songs on Generations contain their fair share of dread and regret, there is ultimately a lightness that shines through Butler’s music. That brightness is at its most intense when he and his solo band—Miles Francis, Sara Dobbs, and Julie and Jenny Shore—perform on stage. Their electricity is palpable throughout Generations, with the bulk of the new songs having been worked out live. Wild synth production—gnarly bass synths with live drums—and anthemic backing vocals as on first single “Surrender” are punctuated by intimate, direct moments: Butler’s voice cracking on “Fine” as he conjures his ancestors, and “Promised,” a meditation on friendship, how lives are built together, and how and why they drift apart.

Generations was recorded and produced by Butler in the basement of his home in Brooklyn. Tracking finished in March 2020, as New York closed down for the pandemic. Half the record was mixed in Montreal by longtime Arcade Fire engineer Mark Lawson, the other half by Brooklyn-based producer Shiftee (who is, incidentally, bandmate Julie Shore’s husband and Will’s brother-in-law).

Generations opens a dialogue with the world. It posits answers—and deals with those answers being refuted. Ultimately, it navigates the conversation as a way to find the truth… or at least a way forward.

One of the first bands to overtly combine death metal with atmospheric keyboards, Nocturnus' debut album introduced more technical and progessive elements into the traditional death metal formula without losing any of the brutality. The audio for this vinyl is taken from the original tapes in Full Dynamic Range, allowing the music's nuances to shine through and giving the album a more immersive and dynamic sound than ever before.

Maroon Vinyl. On Giver Taker, the gorgeous debut album by Anjimile, death and life are always entwined, wrapping around each other in a dance of reverence, reciprocity, and, ultimately, rebirth. Written by Anjimile Chithambo (he/him, they/them), in collaboration with bandmate Justine Bowe of Photocomfort and New-York based artist/producer Gabe Goodman, the album grapples with sobriety; reconciling trans identity, spirituality, and religious upbringing; and forging gracious new futures that honor complex histories. Giver Taker's evocative pastoral ballads, warm pop songs, and epic choirs owe their heritage to influences ranging from Sufjan Stevens, Madonna, Ladysmith Black Mambazo, and The Lion King, all reshaped in Anjimile's vision to invite listeners into the album's vulnerable, generous worlds.

Limited pink colored vinyl LP pressing. 2010 release. Since their first show at Hollywood s Hotel Café in December 2008, soulsters Fitz & the Tantrums have toured with Maroon 5, played to thousands at Colorado's world famous Red Rocks Amphitheatre, shared the stage New Year's Eve with Sharon Jones and the Dap Kings, and performed on KCRW s esteemed show, Morning Becomes Eclectic. The recipe for success? Six killer musicians, five dapper suits, irresistible songs, one vintage organ and nonstop touring.

Acclaimed singer/songwriter Joan Osborne is back with Trouble & Strife (Womanly Hips Records), her first album of original material in six years. Osborne self-produced the new collection and penned all ten songs, with two co-writes. Trouble & Strife finds the gifted vocalist offering a strong yet uplifting response to some of the socio-political issues plaguing our nation over the last several years. Osborne beautifully balances the weight of her messages with solace and optimism.

The album opens with the inspiring “Take It Anyway That I Can Get”, a soulful calling to brazenly live life to the fullest.  “Hand’s Off” is a visceral reaction to the unchecked corruption that is happening before our eyes, while on “That Was A Lie” Osborne takes on the acceptance of misinformation and how it has been weaponized and normalized. Driven by an infectious 1970’s synth riff, “Never Get Tired (Of Loving You)” features a heartfelt message of reassurance for her teenaged daughter during unstable times. Osborne offers a comforting song of hope on the beautiful lullaby, ”Whole Wide World” as she sings, “We could see the whole wide world from here, Lookin’ past the sorrow and the tears, Let me take you to that better place, Let me put that smile back on your face.”

On one of the album’s most important songs, “What’s That You Say” Osborne focuses on immigration and the plight of Ana Marie Rea.  Rea spoke in-depth with Osborne about and the difficulties she and her family faced when coming to America from Mexico seeking asylum, and the challenges since. Rea’s words can be heard throughout the powerful song, spoken in her native tongue.

Throughout her 25-year, multi-Grammy nominated career, Joan Osborne has never been an artist confined to one space. She has utilized her incredible voice through her own songs while also becoming one of her generation’s finest interpreters. Osborne has shared the stage with artists ranging from Stevie Wonder and Mavis Staples to Bob Dylan and Lucinda Williams and she continues to seamlessly blend into any genre. On Trouble & Strife, her tenth studio album, the need for her voice and words has never been stronger.

Diana Krall's new self-produced album, This Dream Of You, was mixed by Al Schmitt, who worked closely with her to achieve the notable intimacy and immediacy. Performances from 2016-2017 sessions, on which she collaborated with late friend/longtime creative partner Tommy LiPuma. A record for right now but also feels like a movie you might share with someone you know will stay with it until the final reel. As she says, "If But Beautiful is the overture, then `Singing In The Rain' is the end title.

Living Colour are providing an exclusive t-shirt to indie retail in an effort to promote equality and combat systemic racism.

All proceeds after manufacturing will go to the NAACP.

Vinyl LP pressing. 2020 release. Between You And Me is the fourth album by the indie trio San Cisco, from Fremantle in Western Australia, town of sun-baked sandstone and sea breezes. It's an album two years and at least one sadly remembered love affair in the making. Between You and Me finds the childhood friends' open-hearted/ good times chemistry distilled to it's essence. Nearly 10 years since those first EPs, ARIA nominations and early US and UK inroads, San Cisco have made their most painstaking album sound effortless.

As chaos envelopes the world, Manson penned the perfect prescription. The aptly titled WE ARE CHAOS was written/produced by Manson & Shooter Jennings. Rock & roll icon and painter, Manson continues to infiltrate fashion, film, and music, leaving his fingerprints on modern culture. "Making this record, I had to think to myself: Tame your crazy, stitch your suit, try to pretend that you are not an animal. But I knew that mankind is the worst of them all.”

Medium Rarities is the first rarities collection from Mastodon covering their entire career. The compilation features one brand new song – “Fallen Torches”. It also includes a bevy of classic covers, soundtrack contributions, instrumentals, B-sides, and live recordings on one complete package for the very first time. Among an eclectic array of covers, the musicians tackle “A Commotion” by Feist, “A Spoonful Weighs A Ton” by The Flaming Lips, “Atlanta” by Butthole Surfers, and “Orion” by Metallica. It also features soundtrack cuts such as “White Walker”[from the Game of Thrones inspired mix tape] and the soundtrack song “Cut You Up With A Linoleum Knife” [Aqua Teen Hunger Force]. Meanwhile, they get under the hood with instrumental versions of “Asleep in the Deep,” “Toe To Toes,” “Jaguar God,” and “Halloween.”   

The whole story could’ve been written in the stars…

Astrology tells us a “Saturn Return” happens when the planet Saturn revolves back to the same position it held upon our birth. It typically takes almost thirty years. However, in the case of Delta Spirit, it took a little less than fifteen. The enduring California rock quintet—Matthew Logan Vasquez [vocals], Kelly Winrich [multi-instrumentalist, vocals], Will McLaren [guitar], Jon Jameson [bass], and Brandon Young [drums]—realign on their fifth full-length and first album since 2014, What Is There. As much as it reflects their journey thus far, it also ushers them into new territory as both musicians and, most importantly, friends. In the end, Delta Spirit not only return, but move forward together on What Is There.

Elizabeth Cook is a Nashville-based singer-songwriter from Wildwood, FL- the New York Times lauds her "a sharp and surprising country singer". A veteran SiriusXM Outlaw Country Radio DJ, Cook has hosted her own show, Apron Strings, for over 10 years. She's also a favorite of David Letterman, the host of an upcoming TV show on Circle Network called Upstream, and a frequent guest star on Adult Swim's long-running hit cartoon series "Squidbillies".

Steinway artist & composer, Chad Lawson's solo work has a relaxed, meditative feel that draws on both the sonorities of classical music and the freeform nature of jazz improv. You Finally Knew, his debut solo piano album for Decca US, was recorded at Abbey Road Studios and features ten pieces he wrote to inspire listeners to take time every day to consciously be still for mental clarity and overall wellness of being.

Zakk Sabbath is the Black Sabbath tribute band featuring guitarist/vocalist Zakk Wylde (Black Label Society, Ozzy Osbourne), bassist Blasko (Ozzy Osbourne, Rob Zombie) and drummer Joey Castillo (Danzig, Queens of the Stone Age), who have been constantly gigging since 2014 with their take on the Birmingham four's early songs. Legendarily recorded in a single day in October 1969, Black Sabbath's self-titled debut was released on a Friday the 13th in 1970, and the world was never the same. "We recorded a live EP and were wondering what we could do next as a cover band, so the 50th album anniversary came just at the right time", explains Blasko regarding Zakk Sabbath's decision to go studio. "Compared to 'Paranoid', which is almost like a best-of record, the bulk of the material on 'Black Sabbath' is deep-cut, really experimental stuff that was never thoroughly explored, so that was a challenge, not to forget that we wanted to meet our own high standards." Describing the DIY process as "very productive," the three respectfully added their own flair to make for a slightly different flavor, also revisiting various live renditions and "extending a solo here or slowing things down because that's what they tended to do on stage." Titled "Vertigo", Zakk Sabbath's ode to the masters won't be available digitally, "to make the release feel authentic to the time when vinyl ruled the earth. It was such a cool time for those of us that grew up during that time. The fan experience with the physical product is irreplaceable with digital and streaming. We wanted to capture that authenticity." The songs were faithfully recorded in the spirit of the original - live in the studio and with a film crew documenting the process - culminating in a new celebration of the greatest heavy metal band of all time and the record that started it all. Gatefold LP incl. Padded inner sleeve and special vinyl mastering, ltd. Yellow Vinyl

ALL THEM WITCHES have built a career out of playing music that can not be pigeonholed into one specific genre. NOTHING AS THE IDEAL was recorded in Studio 2 at the world famous Abbey Road with the help of longtime mixing engineer Mikey Allred. The history and vibe of that setting laid the groundwork for what was to come. The band’s signature psychedelic blues riffs, relentless drums, melodic bass lines and non-linear lyrics are all present. The resulting album is a thought provoking head banger that is the band’s most cohesive album to date.

Standard weight clear vinyl

The Waterfall II completes The Waterfall, My Morning Jacket’s acclaimed 2015 record. Originally intended to be a sprawling triple album, the band were advised to hold back and keep some of it on the shelf. Until now! Frontman Jim James says, "this is simply the second half of a long snapshot of life for me as a writer in the years leading up to 2014, and the life of us as a band as we lived and worked in the epic country in and around Stinson Beach, CA during these recording sessions."

Another prized jewel in the Rolling Stones' unmatched catalogue is restored to its full glory. This limited edition Deluxe vinyl box set features the new stereo album mix, sourced from the original session files + Rarities & Alternative mixes including three previously unreleased tracks, Scarlet, All The Rage & Criss Cross. Mastered at half speed by Miles Showell at Abbey Road Studios, London. Also included is The Brussels Affair, recorded live at the Forest National Arena in October 1973 and pressed on 180g vinyl.

Also Available: Remastered Catalogue + Living In A Ghost Town

Marc Bolan has been famously cited as a major influence by some of the biggest names in music from David Bowie to Johnny Marr.

Bolan’s golden era was in the late sixties and seventies when he was the biggest selling singles artist since the Beatles, movie star and the electric spark behind Glam Rock. He died in 1977 aged just 29, after a car crash in Barnes, London but his reputation has only grown.

Later this year Marc will be inducted into the Rock n Roll Hall Of Fame and 50 years since the first T.Rex single and album, illustrious fans have gathered to pay tribute and argue for his place amongst the music greats.

For ‘AngelHeaded Hipster’, a collection of major stars including Nick Cave, U2 featuring Elton John, Joan Jett, Peaches and Marc Almond have reinterpreted and reimagined some of his greatest tracks including Jeepster, Bang A Gong (Get It On) and Ride A White Swan.

Every track reveals a different Marc and offers a unique appreciation of a multifaceted musician, writer, poet and composer.

AngelHeaded Hipster was lovingly created by the late Hal Willner, who passed away on April 7 from COVID-19. The acclaimed music producer, who “for nearly four decades bent and shaped the dimensions of almost-popular music” (New York Times), produced albums for artists including Lou Reed, Marianne Faithfull and William S. Burroughs, and concept albums drawing upon the music of Thelonious Monk, Kurt Weill, vintage Disney films and others.

Long before Tennessee Jet began crisscrossing America as a one-man band, playing nightly shows full of fuzz guitar, primal percussion, and songs that split the difference between country and raw rock & roll, he traveled the interstates of Oklahoma with his bronc-riding father and barrel-racing mother. Sitting on the bench seat of an old Ford pickup truck pulling a horse trailer while heading to the next rodeo, he'd watch the grasslands of his home state fly past the windshield at highway speed. Country music was always on the radio back then, and those songs — honest, heartfelt classics by icons like Willie Nelson and Dwight Yoakam, both of whom he'd eventually join on tour — left a permanent mark.

The Country, Tennessee Jet's third album, nods to that childhood soundtrack. A salute to the sounds of his youth, these songs double down on Jet's country and folk influences, without sacrificing the left-of-center approach that's earned him a reputation as a genre bender. Honky-tonk ballads, twin fiddles, and country two-steps rub shoulders with a Nirvana-inspired rock song ("Johnny," a tribute to 1950s legend Johnny Horton) and a bluegrass cover of the Black Crowes' "She Talks to Angels." The result is a richly-textured album that's both classic and modern in the same breath. This is raw, truthful country music — a reinvention of the sound that's always formed the bedrock of Tennessee Jet's artistry, even during his most amplified moments.

On the cusp of releasing his first-ever solo album, Every Feeling on a Loop (ANTI-Records), songwriter Josiah Johnson is aware he wasn’t supposed to be here. Just five years ago when he took a leave of absence from the acclaimed indie-folk band, The Head and the Heart, the question was less where Johnson’s star would take him and more whether his struggles with addiction would end his music career. But then, he wasn’t supposed to be there, either.

Prior to co-founding the band, Johnson studied math and computer science in graduate school. But the magic of song led him to an open mic that changed his life. At Seattle’s Conor Byrne Pub, Johnson sparked collaborations with fellow musicians who would eventually form The Head and the Heart. The group’s rise was rapid. They built a loyal fanbase and zigzagged the globe, with sold-out shows at historic venues from The Fillmore to Red Rocks and festival appearances at Coachella and Lollapalooza. Their 2011 self-titled debut went on to receive RIAA Gold certification, followed by 2013’s Let’s Be Still, which landed on Billboard’s Top 10 Albums Chart.

On Every Feeling on a Loop, lush musical arrangements and harmonies support Johnson’s baritone crooning. At times, the songs sound like prayers. At others, his exuberance feels like the euphoria he’d always sought, this time hard-earned and wiser. He says he feels like a new person making it, charting his journey out of the dark into the wide awake of the morning, using the magic that was his all along.

Produced by ACM Producer of the Year nominee Joey Moi and co-produced by Derek Wells, with additional production on select tracks by David Garcia and Jake Mitchell, A ROCK features a diverse cast of Nashville’s elite songwriters – from mainstay hitmakers Hillary Lindsey, Jessie Jo Dillon and Ashley Gorley to hot-on-the-rise newcomers Hunter Phelps and Zach Abend – and dives deep into every corner of HARDY’s influence.

Bleeding elements of Soundgarden, Pink Floyd, John Prine, Eric Church, Kid Rock and more into the record's sound while maintaining his own signature brand of Country throughout, the collection runs the gamut of genre and encapsulates the fullness of HARDY’s artistry, making it clear where he's come from, and exactly where he's headed next.

BLACK LP: S&M2, the live set from Metallica & The San Francisco Symphony is the concert event of the year! S&M2 features 20 songs (over 2.5 hours of music) from the two-night event that opened San Francisco’s new Chase Center, with many Metallica fan favorites and 2 unique classical songs chosen by San Francisco Symphony Musical Director Michael Tilson Thomas. S&M2 has newly re-mixed and remastered audio for a whole new sound from the original theatrical run in October 2019. Four black LPs with a 16-page 12x12 booklet featuring photos by Anton Cobijn. Download card included.

Metallica and San Francisco Symphony’s September 6 & 8, 2019 S&M2 concerts were historic on multiple levels: They served as the grand opening of San Francisco’s Chase Center, reunited the band and Symphony for the first time since the 1999 performances captured on the Grammy-winning S&M album, and featured the first-ever symphonic renditions of songs written and released since those original S&M shows.

The sold out shows were rapturously received by the 40,000 fans who traveled from nearly 70 countries, as well as the media: Rolling Stone raved “the group proved that anything was possible,” Variety noted an atmosphere “buzzing with excitement,” while the Mercury News witnessed "a concert that fans will be talking about for decades to come,” and Consequence of Sound hailed "a true celebration of Metallica and their musical prowess.”

“I allowed myself to support a narrative I thought I had to support of PVRIS being a band,” Lynn confesses. “I didn’t really have a role model for this. Coming from a ‘band culture,’ it’s about how the group is always greater than the sum of its parts, and you’re not supposed to take credit, even if you do everything. There’s no template or role model for really owning it as a woman. I wanted to make everyone else happy and uphold an image I thought we had to. Growing up, I learned I don’t have to do that anymore. I’m finally allowing myself to take credit. I’ve got the full support and encouragement of my bandmates. PVRIS is a unit and very much a team, but the heart and soul of the vision and music always has sourced from me. I’m just saying it now. I fulfilled my own vision of what a role model should be.”

Writing and recording all of 2019, she found the perfect collaborator to bring this to life in JT Daly [K. Flay]. With Lynn writing, cooking up beats, playing guitar, drums, and bass, and singing, he amplified and augmented her vision and versatility in the studio. PVRIS set the foundation for the new era with recent EP, Hallucinations, spawning lead single and title track “Hallucinations,” which clocked 10 million total streams in a few months’ time, as well as fan favorites, “Old Wounds” and “Death of Me.”

2020 release, the third studio album from From Ashes to New. The title track, "Panic," gained over 1.5 million streams and over 1 million video views in a little over a month. The band has also had 3 Top 10 Active Rock Singles and over 225 million streams to date. If there is a central theme on Panic, it's that in order to rise above any obstacles you have to trust in yourself. "Even though you feel voiceless, you're not, but we understand if you feel that way because we feel that way too," frontman Matt Brandyberry explains. As fans have come to expect since the band formed seven years ago, this empowering message is delivered via the band's unique blend of metal, hip-hop, rock and electronica.

[FOR EXCLUSIVE VERSION] Colter Wall - Western Swing & Waltzes and Other Punch Songs [Indie Exclusive Limited Edition Natural LP] 
[SOLD OUT ONLINE -CHECK WITH STORE]

From the prairies of Saskatchewan, Canada and recently seen on Austin City Limits, Colter Wall sings songs of the great West. Heralded by icon Steve Earle and touted as a favorite of celebrity Jason Mamoa, the music of Colter Wall has graced the silver screen many times, in films such as Peanut Butter Falcon, Hell or High Water, Three Billboards Outside Ebbing, MO and Deadwood. Characterized by his distinct, gritty baritone, Colter Wall’s career has been marked with critical praise from his breakout EP, Imaginary Appalachia to his debut and sophomore records produced by Dave Cobb. Whether headlining music festivals in Norway, or playing legendary stages like Newport Folk Festival, Colter Wall continues to garner attention from the world. On his third full-length release, fans will hear Colter Wall in the producer’s chair.

2020 release. Rick Wakeman, best known as keyboard player in progressive rock band Yes, releases The Red Planet - a serious return to "Wakeman Prog". Harking back to Wakeman's critically acclaimed 1973 debut The Six Wives of Henry VIII, The Red Planet features eight newly composed pieces based around a central subject matter. Rick's blown the dust off his favorite analog keyboards and along with his latest keys has used the same formula he devised when making his debut album and the equally legendary Criminal Record. Upon being asked about the expectations of his prog fans, that they are hoping he will have shoved the "Prog Fader" up to 11, he replied, "That could be a problem... as it's already at 14!!!"

Gregory Porter, the world’s best-selling contemporary Jazz/Soul artist with over 3 million worldwide album sales returns with ALL RISE, his  sixth studio album. The album marks a return to Porter’s beloved original songwriting – heart-on-sleeve lyrics imbued with everyday philosophy and real-life detail, set to a stirring mix of jazz, soul, blues and gospel. Produce by Troy Miller (Laura Mvula, Jamie Cullum, Emili Sande), the set also represents the evolution of Porter’s art to something even more emphatic, emotive, intimate, and universal too. After 2017’s Nat King Cole & Me, Porter knew two things: one, he’d bring in an orchestra for his next LP, and two, the music is medicine. In the spirit of that latter revelation, ALL RISE brims with songs about irrepressible love, plus a little protest, because the road to healing is bumpy.

Since his world-beating 2013 Blue Note debut, ‘Liquid Spirit’, which won the Grammy for Best Jazz Vocal Album, Gregory hasn't let down his legion of fans, whether collaborating with Disclosure on ‘Holding On’, releasing his dance hit ‘Liquid Spirit – Claptone Remix’ which became one of the most popular tracks in Ibiza, scoring another Grammy for ‘Take Me to the Alley’ (2016), or telling his life story through Cole's songbook. Porter is still surprised by his runaway success, but he has a theory: "I was soothed by my voice as a child and I think that's the same thing others get from it. I'm trying to heal myself with these songs."

Not only has Gregory made chart history by bringing jazz back to the masses, graced the iconic Pyramid Stage and the world’s most prestigious gig venues, performed for the Queen, appeared on the biggest TV shows as well as presented his own series (‘Gregory Porter’s Popular Voices’ on BBC Four), 2019 saw the singer launch and host his own podcast, ‘The Hang’, featuring such distinguished guests as Annie Lennox and Jeff Goldblum.

Blackbirds features songs primarily popularized by women who were the “bridge she came across on.” The album finds LaVette in top form with powerful renditions of songs that touched her personally. From Dinah Washington’s “Drinking Again,” Nina Simone’s “I Hold No Grudge” and more, they are all delivered in LaVette’s rich & raspy tone. Blackbirds honors LaVette’s heritage as an R&B singer and the women who came before her. LaVette A&R’d and sequenced the record herself – her first true curation.

Dan Penn, writer of such classic hits as 'Do Right Woman,' 'Dark End of The Street,' and 'I'm Your Puppet,' among them, shines in his first release of new original material since 'Nobody's Fool' in 1973 and his first full production studio album since 1995's 'Do Right Man.' Recorded in Nashville and Muscle Shoals alongside their finest musicians, Penn, the pioneer of Country Soul, turns in a performance as timeless as the genre itself.

Imploding the Mirage is The Killers highly anticipated sixth studio album. The album - produced by the band in conjunction with Shawn Everett and Jonathan Rado of Foxygen - was recorded in Los Angeles and Park City, UT. It is the first album of their career to be created outside their hometown of Las Vegas, NV. Imploding The Mirage also features a brilliant array of collaborators, another first for the band who have typically kept guest spots on their albums to a minimum. The list of featured artists includes Lindsey Buckingham, k.d. lang, Weyes Blood, Adam Granduciel (War On Drugs), Blake Mills, and Lucius.

Fresh off their 30th Anniversary & World Tour in 2019, the genre-bending, multi-platinum selling Mavericks are changing the game once again with the release of their first-ever Latin format album En Español. Produced by the band's longtime creative partner Niko Bolas (Neil Young, Prince, Sheryl Crow) and Mavericks lead singer & principal songwriter Raul Malo, En Español features a compelling mix of standards and Spanish-language originals in signature Mavericks style.

Josh Turner returns with his new studio album, Country State Of Mind. The 12-track record highlights some of Turner’s favorite Country Classics, and features guest appearances from John Anderson, Kris Kristofferson, Chris Janson, Runaway June, Maddie & Tae, and the legendary Randy Travis. CD packaging includes a bonus “Country State Of Mind” decal sticker.

Freeze, Melt, the sixth album from the Grammy-nominated Australian electronic/synth-pop band Cut Copy. Lead single 'Love Is All We Share' earned praise from Rolling Stone ["meditative and immersive"], Stereogum ["hypnotic"], Consequence Of Sound ["a fitting mood for the current state of the world"], Pitchfork, The Line Of Best Fit, and numerous other outlets. Their 2011 album Zonoscope won two ARIA Awards, earned a Grammy nomination for Best Dance/Electronica Album, and reached #2 on Billboard's Dance/Electronic Albums chart, #3 on Australia's ARIA Albums chart, and #8 on the UK's Independent Albums chart. Their most recent album Haiku From Zero [2017] earned praise from NPR ["their finest album in years"], Stereogum [“a rush of infectious grooves and melodies"], Exclaim! ["another strong effort by a band that continue to celebrate the power of dance music"], and DIY. If Haiku From Zero was the party, Freeze, Melt is the Sunday morning comedown. Released independently via their own label imprint, Cutters Records.  

Narratively, H.C. McEntire’s Eno Axis is about finding direction in the natural world, and following love. Sonically, it’s an album shaped enormously by the atmosphere it was recorded in—the crew’s synergy and positivity, the proximity and presence of a band in a room playing with intention. Structurally, it’s a group of songs inspired by the colors and tones of open tunings, by the sacrality of space and instinct. Stylistically, it’s folk-rock leaning into its curious experimental side and moved by the spiritual rawness of classic soul and the simplicity of earnest pop. Eno Axis feels like a confident and mature step forward from her debut album LIONHEART—in tone, arrangement, production, and spirit.

World renowned and multi-Grammy-nominated singer/songwriter Bebel Gilberto has been enchanting fans and critics worldwide since her solo debut release in 1986. She catapulted onto the global music scene in 1996 when she featured on the celebrated compilation RED HOT + RIO. She followed up with her breakout album, Tanto Tempo, positioning herself as one of the top-selling Brazilian artists since the 1960's. She continued with a streak of critically-acclaimed albums on which she refined her sound and showcased her strengths as a composer. Her new album, Agora, which translates to now, chronicles the moment in time in Bebel's life after a period of great change. It was produced by Thomas Bartlett (Sufjan Stevans, St. Vincent, Father John Misty, David Byrne, Martha Wainwright).